Interview with Canadian musician Basqi

canadian music, Interviews
Photo credit: Basqi

Finding Basqi

Forever the curious person I am, I clicked on Basqi’s profile when I saw it on my Instagram story. I saw that he’s a Toronto musician and we follow a bunch of mutual people.  I love that Basqi has music clips on his page. I point this out because it’s feedback that I give to musicians who don’t have any video clips or music samples on their page – I encourage them to add some. In the few seconds that you have someone’s attention, it could be a chance at getting a new fan.  Anyways, Basqi has another huge fan (me) because of this.

Contact

Instagram: @basqiofficial

Facebook: @basqiofficial

Music

Lost Souls – single (2021)
Myself – single (2021)
Pick Up the Pieces – single (2021)
Tell Me – single (2021)
Not Sorry – single (2020)
Control – single with Tommy O (2020)
Lies – single with Purple Mind (2020)

About

Basqi is a Toronto-based singer, songwriter, producer, photographer and videographer who enjoys collaboration work with other musicians and chillin’ outdoors with his dog.

Photo credit: Basqi

Interview

Me: On one of your posts, you wrote that Myself was inspired by how you felt during this COVID-19 pandemic.  Although my life wasn’t affected too much, I can totally relate to this song. I like the lyrics “lately feels like I’m just going through the motions to feel right. I’m just trying to find a moment to feel like myself.”  I spend a lot of time not feeling like myself and being inside my head wondering where my life is going. Pandemic-wise, lots of people have been deeply affected by the isolation and changes brought about by it, so it’s amazing how you took a life experience and spun it into a beautiful song. What are other sources of inspiration for your music?

Basqi: Thanks, I’m glad the song really resonated with you! Honestly, most of my music comes from my struggles with my mental health issues like depression and anxiety. I also tend to write a lot about personal relationships – romantic and non-romantic. I’ve been trying to find inspiration in other places, but right now during the current state of the world, it’s been hard.

Me: No kidding about the state of our world. When I reached out to you for an interview, I sent you a link to Stuck on Planet Earth’s interview as a sample. You said that you knew Al (singer/bass player) and that he is your cousin…our six degrees of separation!  I came so close to meeting you at Stuck’s concert in Brampton back in November 2021, because you told me that you were their videographer for the evening. You are truly multi-talented.  When I suggested that you share a stage with Stuck, you mentioned that you have never performed live before.  What are your upcoming plans musically?

Basqi: I do plan to perform live as soon as I possibly can. But right now, it’s proved to be hard due to lockdowns. In the meantime, I’m just working on new music and trying to build a bigger catalogue of songs. I also stream music production and performance on Twitch occasionally, but I’ve been terrible at promoting that fact lol and I should do it more often.

Me: I’m happy to hear that you plan to perform live. There’s nothing like experiencing a live show. I’ll definitely be there! How old were you when you discovered your talent for music and what’s the first instrument you picked up? Also, other than guitar, do you play any other instruments?

Basqi: My first instrument was actually the guitar. When I was in Grade 3, we had a guitar club and I was somehow able to convince my parents to buy me an acoustic guitar and let me join. Even though all the small acoustic guitars back then were still way too big for my tiny body, I still tried to play. I then moved on to drums when I was around 13. The way I remember it, my dad and I would often go to Long & McQuade because I loved to look at and play all the instruments. And he’s a great dad. So, we were there one day and I decided to play on the drum-kit and one of the salespeople walked up to my dad and said something along the lines of “he’s pretty good” (which I think they probably say to every parent there with their kid) and next thing I knew we were taking home a kit that day lol. I also played alto sax from Grades 6-12, and I say played because I haven’t touched it since graduating. Besides those, I dabble a bit with the piano for production purposes. To answer the part about when I discovered my “talent” – I don’t really know. I still don’t consider myself to be talented really. I do consider myself to be a hard worker though, and I’ve come a long way from where I started.

Me: So modest about your obvious talent and sweet that you speak highly of your dad. It’s rare that people openly say nice things about their parents! All of your tunes are catchy and relatable. I love your song Not Sorry about a toxic relationship. Lyrics go “toxic behaviour, and I ignored the warnings to deal with later, and now they’re back to haunt me… why are so toxic…I’m feeling like a target…pushing my buttons like you can control me…play games with my mind…” It sure sounds like you had a relationship gone bad. What advice do you have for others to be able walk away from those types of relationships?

Basqi: Thanks, I appreciate that! My advice would be to just know your worth, know that you are good enough and that another person can’t define you or make you feel any less than you are. Seek advice and listen to the people around you who truly love and care for you – like close friends and family. Seeing things from another perspective (especially from a perspective of somebody that deeply cares for you) can change everything.

Me: I completely agree about knowing and realizing your self-worth. I wrote a story on Instagram before with the line “No one is worth pretending for” and it’s true that you should be authentic and kind to yourself first. I see from your posts that you skateboard and spend time outdoors with your dog. As Myself was inspired by how you felt during the pandemic, what else have you been doing to destress?

Basqi: Honestly, it’s been hard recently, but I pretty much do the same things. I’ve just been making music, hanging out with friends and hitting up open mics (when that was possible, not long ago).

Me: That sounds pretty chill. Based on your posts, you’ve done some collaboration work with Purple Mind on Lies, and Control with Tommy O.  BTW – I added Lies to my music collection – great song. How would you compare the collaboration process versus producing music individually?

Basqi: I enjoy the collaborative process a lot. Tommy is a long-time friend who I’ve been collaborating with as a producer and audio engineer since before I started releasing my own music. And Purple Mind I actually met through a discord server that’s for producers and musicians. They’re actually based in Germany, so collaborating with them was an interesting process. It was all done remotely via discord and sending of recordings via email, and that was a first for me. To compare it to my solo process, I actually find that I’m more motivated when working with others and really enjoy the different energies that different minds provide to the writing and production process.

Me: I can imagine that collaboration work would be interesting with musicians coming from different backgrounds with their own ideas. It seems that you manage your own socials like many other musicians. Seeing the way I discovered your handle – do you have any advice for musicians with respect to building a social media presence?

Basqi: Honestly, lately I’ve been slacking off. I don’t think I’ve been active on any socials in over a month. But if I had advice to give it would be, post often and be your authentic self. Nothing creates a more genuine connection with your audience than just being the real you.

Me: Agreed. Your authenticity definitely shines through on your page. I can’t avoid this “get-to-know-you-better” question because I find that knowing what type of music someone listens to says a lot about them. Who are your top 3 musical influences or favourite musicians? And don’t feel obligated to say Stuck on Planet Earth lol!

Basqi: I always find this kind of question to be so difficult because my musical taste ranges so much. But right now, I guess I’d say Blink-182, Blackbear, and The Wonder Years. It’s a bit of a random list and probably not my all-time top 3, but these are some artists I’ve been listening to for a very long time and connect with, as well as draw inspiration from.

Me: Nice. And so many musicians I’ve never heard of. I’ll have to take a listen. I’m looking forward to new music and your first show.  Thanks again for your time! Everyone, check out Basqi’s music. Show him some love by giving him a follow on socials, stream/buy his music and attend a live show when the city is alive again.

Basqi, is there anything else you would like to share?

Basqi: Nothing I can think of, besides check out my music and follow me on social media lol.

—End—

Check out these wicked tunes!

Interview with Canadian Musician Ro Joaquim

canadian music, Interviews
photo of Ro Joaquim
Photo Credit: Patrick K. Leung (Instagram @patrickkleung)

By Monica Ng

How did I live before?

I can’t believe that I ever lived without Ro’s music. I may have seen his name before because he has done a few collabs with AARYS (one of my favourite female musicians), but only took the time to explore his music when AARYS mentioned him in one of her IG stories. With music you know right away if you feel it or not. With Ro’s…I’m definitely feeling it. It’s what happens when music runs through your blood and makes your body move on its own. Ro’s songs Can We and Code of Conduct got me hooked. I’m lucky because at the time I discovered his music, he had just announced a live performance. I didn’t think I could make the show because I had Stuck on Planet Earth‘s (playing with One in the Chamber) concert just days after, but I knew that I would kick myself if I missed it. I summed it up to “VERY important music interview research” and bought my ticket. Cheers to living with no regrets!

Upcoming EP: Edible Flowers

Contact


Instagram: @rrojoaquim
Facebook: @rRojoaquim
www.rojoaquim.com

About

Originally from London, England, Ro is a Toronto-based singer, songwriter, composer and spoken word poet. He takes centre stage warming the crowd with his catchy hip-hop and R & B tunes, vibrant lyrics, positive energy and buff bod.

photo of Ro Joaquim
Photo Credit: Patrick K. Leung (Instagram @patrickkleung)

Music


Can We – single (2021)
Code of Conduct – single (2020)
Love, Pt 2 – single (2020)
Inner Peace – single (2020)
Water Fights EP (2019) – The Real, Let Em Go, Movin’ On, You Time, Look Away
Fallin’ – single (2019)
Touch Down – single (2019)

Interview


Me: Ro, Ro, Ro! Your vibe is vibin’!!!

I have already shared your music on so many of my reels and stories on social media. From the feedback I’ve received so far, you have at least three new fans. A friend said that he added you to his playlist right away and appreciates the freshness of your music. I love your freestyle videos about the pandemic – they are hilarious! You can find these videos on Ro’s IG page. And congrats on being the voice of Jeep in the ad you posted on your socials. What are your thoughts on the Toronto music scene as the city is slowly reopening during the pandemic?

Ro: Toronto had such momentum before the pandemic and we have some serious catching up to do. Just like the mosaic of the city, the artists here create from a beautiful blend of cultures and experiences.

Me: I’ll definitely do my part to support musicians. BTW – thank you so much for treating me to a drink at your concert. It was totally unexpected and sweet!

I know that you and AARYS are involved with other musicians at Division 88 – a Toronto-based recording studio bringing musicians together for collaborative work. Can you tell us about your involvement and briefly describe the creative things that happen there?

Ro: It was part serendipity and part the brilliant workings of Division 88 owner and founder Billy Wild. Billy found me at a songwriting camp where I was writing for another local Toronto singer. A song was being created at the time, Billy asked me to take a stab at it and the rest was history. At Division, amazing artists from all styles come together and create music with no particular goal and what comes out is usually amazing.

Me: Sounds like a creativity is brewing there for sure! I love the thriftiness of your lyrics – yet each word is right on target. That’s true poetry. It reminds me of my haiku writing (5/7/5 syllables) – you can only use a total of 17 syllables to conjure up a visual and deep symbolic meaning of the human experience. When did you start writing and what influences your musical style?

Ro: I started writing in elementary/middle school. I actually have a speech impediment so I’m sure it assisted in me diving into the creative arts – as it forced me to be intentional and narrowly focused on what I was creating and the emotion I wanted it to convey. My influences are Nat King Cole, Tupac Shakur, DMX and late 90’s and early 2000s RNB.

Me: It was great to hear some music from your upcoming EP at your concert. Come Forward is such a catchy, fun song – can’t wait to add it to my playlist. What inspired the album and why did you choose Edible Flowers as the name for it?

Ro: I am a writer first, that being said, I wanted to put together a body of work that showcases that. Individually each song was inspired by a different woman in my life. Similar to my poetry I take an introspective look at a situation that I experience or someone I know is experiencing and the art creates itself. Each song is about the women in my life and my partner has grown my intrigue for plants, so somewhere in the cross section came Edible Flowers.

Me: Sorry Ro, but I can’t resist…lots of music = lots of ladies! Just bugging you of course. I love how your songs are relatable. In your concert promo poster, you indicated that there would be “special guests”. I wrote in a post following the show that the most special guest wasn’t ON the stage, but OFF the stage – your mother. She told me that she surprised you by showing up. Too funny when you promised her from the stage that you’d only say Motherf***er two more times. Also, you’re so polite – you asked the crowd if it was ok to take off your shirt because you were hot. Of course, someone feisty was telling you to take off your pants too, LOL. You have such a positive vibe and great message about the importance of open communication. If you had to live by a single philosophy, what would it be?

Ro: You hit the nail with this one. Single philosophy would be: Get to know yourself inside and out and learn to express yourself in a way you intend to be received.

Me: That’s a good one to follow and by extension – learn to love yourself. I didn’t get a chance to speak to your mother more, but I asked her if you were musical since you were a child. She hesitated and said that she didn’t really think so. I read on your interview with Canadian Beats that you did some writing for other musicians and a music producer encouraged you to sing your own songs. When did you discover your gift for music and do you play any instruments?

Ro: I wrote hooks and songs from about middle school but I never really had a medium that I was comfortable enough to express it. As I started writing for artists, there was a pivotal moment when one of the artists got an opportunity to be on The Launch. While there he performed a song I wrote, and the music executives gave such high praises about the songwriting. That was the moment I went from just being confident in my abilities to knowing I had developed the skill to really do this on a bigger stage. I’ve been teaching myself the piano and guitar.

Me:  That’s so amazing! I told you that I while I was driving with Can We on repeat, I thought of this specific interview question. The lyrics of the song go: “I get so lost in you/I’m upset when I only get a part of you/It’s killing me I wonder if it’s hard for you/poker face like it don’t even bother you…” then “Can we be friends/can we make love/can we surrender…?” You so beautifully described the inspiration for and the meaning of this song at your concert.  Can you share your thoughts again?  And I ask you – do you think it’s possible to have it all?  BTW – I love the shirts that you sold at the show. They each have a different message on the back – “can we be friends”, “can we surrender”, etc. I bought the one that says, “can we be open”. Everyone, if you are interested, you can purchase a shirt through Ro’s online store.

Ro: I got inspired to write that song after reading the book Mating in Captivity by Esther Perel. Perel is a psychotherapist who focuses on couples counselling. In the book she draws from her experience counselling couples and finds that in most cases, the couples who have been together for a long time often lose their erotic side either through the mundane patterns of the relationship or because children have changed the dynamic of the relationship. The conversation was brought up that can we have both? Can we have the security/friendship that comes from a long term relationship without sacrificing the erotic element that is so prevalent in the beginning. Mixed in with inspiration from my own relationship, we get the song Can We. I think it is possible to have it all, but it forces us to learn about ourselves and be able to communicate in an effective way. Miscommunication often comes from uncommunicated expectations. The “Can we be open” shirt is my favourite one. Thank you for that.

Me: It was great to have the chance to meet you in person. There’s so much to love about you. The world would be a better place if everyone was so warm and genuine like you. On stage and from your posts, I see that you put in your time at the gym. Other than working out, what else do you do to reduce stress?

Ro: Helping people. I believe I am here to serve, so whatever opportunity I get to serve others – that is what reduces stress and gives me a greater appreciation for the world I live in.

Me: That’s so lovely Ro. The world needs more people like you. I have to ask because I ask all my interviewees: who are your top 3 favourite musicians? I know it’s hard, but if it helps…who are you listening to currently?

Ro: Nat King Cole, Tupac, and right now Russ.

Me: What are you plans now that things are opening up and is there anything else that you’d like to share? It’s a bit ironic, because as I’m finishing up this interview, Toronto pandemic restrictions are being implemented AGAIN! Will this pandemic ever end?

Everyone – as usual, don’t forget to show your support to musicians by following them, like/commenting
on their posts, sharing their music with others, buy/stream music, buy merch, attend concerts, etc. And
remember that love is free, so show Ro some love!

Ro: I am working on some cool collabs with some established artists and I am excited for these projects to come to life. I will be releasing more singles from the project and looking to release in March.

—End—

Check out Ro’s music!

Interview with Canadian Musician Kane Miller

canadian music, Interviews
Photo credit: Littlejohn Photography

By Monica Ng

How I found Kane 

At work I usually play my own daily playlist on Spotify, but sometimes I listen passively to random songs.  As I was working away one day, this beautiful voice sung out to me and I had to quickly maximize my Spotify screen to find out who was singing – and of course, it was Kane.  

Contact 

Instagram: @kanemillermusic 

Facebook: @KMillerMusic 

www.kanemillermusic.com 

Music 

Keep Away From Time – EP (2021) – Keep Away From Time and I Still Love You 

Isolation Sessions – EP (2021) – only available on Bandcamp – Wait for You, Catch My Heart, Mystery (Leads to You), All In and Feel You

I Still Love You – EP (2021) – I Still Love You and Arrow

For You, For Now, For Always – EP (2020) – Something New, Getting Older, Memories, Do It All For You, Secrets, Kings and Queens and Never Coming Back 

Something New – single (2020)

In this Moment – EP (2019) – All We Need, Could It Be, Coral Reefs and Morning Dew, Black Dress (Acoustic) and All We Need (Acoustic)

Secrets – single (2019)

Through That Door– single (2019) 

Black Dress – single (2019) 

Remember Us – single (2019)

Sleeping Sea – single (2019)

About  

Kane is a classically trained musician, singer and songwriter based in Lakefield, Ontario. In his spare time, he is out and about in nature and being so handy – has even completed his own kitchen and bathroom renos. 

Photo credit: Littlejohn Photography

Interview 

Me: Hey Kane! Thank you so much for taking part in this interview. I say it all the time, but I love the positive reception I get from all the musicians that I’ve interviewed. I’ve shared your music a lot on my social media stories and IG reels. I was hooked the moment I heard I Still Love You.  Some of my other favourites are Could It Be, Through That Door and Sleeping Sea.  

In light of the pandemic, what does the music scene currently look like in Lakefield? 

Kane: Thank you so much! Lakefield is a pretty small town so not a ton of a music scene to start, but definitely there has been a hit in the area. No bars/theatres meant no shows. Usually I try to do at least a larger theatre show and some pub shows throughout the year at home, but obviously nothing in the last little while.

Me: Hopefully things will get back to more normal soon. The pandemic hit Toronto pretty bad. Some venues closed their doors for good. Based on your posts it looks like you play the piano, guitar, violin and drums. Which instrument did you first get your hands on and do you play anything else? 

Kane: Sadly, not drums. I can’t quite seem to get my feet to go in line with my arms. My first instrument would probably be violin (maybe piano). I picked up the violin when I was 7 and took classical lessons and played with orchestras and different groups right up until university. Guitar came later, around high school.

Me: Very impressive that you can play so many instruments. I once sat behind a drum kit and I did just that – I sat there with no clue what to do. In the midst of the pandemic, you released your EP titled Isolation Sessions.  Basically, you isolated yourself in a cabin while you produced six songs during a 4-day period.  Obviously, you were productive during that time, but what thoughts ran through your mind in terms of the pressure and stress of having to produce an album? 

Kane: I don’t think I really felt much stress to produce the album. I have a background in audio engineering so I was fairly comfortable doing it on my own. I really wanted all the distractions out of the way when I did it though. While I was at the cabin, I made sure to leave my phone at home and keep away from the internet. I really had no contact with the outside world while I was there. That really helped me to get going and feel productive with each song.

Me: What a great way to focus. We should all disconnect from technology once in a while. I’m a bit confused about the labelling of your LV Cabin Sessions versus your Isolation Sessions – are they the same thing?

Kane: Isolation Sessions and LV Cabin Sessions are different. LV Cabin Sessions were done with my regular producer, Femke, as well as Singer-Songwriter, Micah Dalton, a drummer, Matthew Singler and an engineer, Josh Reynolds. We did this one in an Airbnb house a couple hours outside of Nashville in 2019.

Isolation Sessions were completely done by me. All engineering, mixing and mastering as well as all instrumentation. All songs were written with either Jeff Turner or Fain Spray. Everything was recorded in my family cottage in Bancroft in June 2020.

Me: You are one talented guy putting together a whole album on your own. I’ll have to check out your Isolation Sessions on Bandcamp. I love your outdoor shots where you are holding your guitar. The mood of your photos totally supports the organic sound of your songs. What inspires your music? 

Kane: Thank you! Every picture is really to the credit of Rebekah Littlejohn from Littlejohn Photography. She has an amazing eye and always seems to catch the best photos and moods. My inspiration for music comes from pretty much anything, whether it’s a thought I had one day or just a feeling. I love to sit down with a guitar and try to write out whatever I can.

Me: It’s so perfect that you love to sit, write and sing – while I love to listen. Keep the songs coming! I find your music authentic and uncluttered – free of bells and whistles. I am reminded of a comment that musician Jake Feeney made in my interview with him about the competitive music industry. He said “A lot of the time it feels like the music isn’t enough, and that you need a compelling story to really cut through the noise.”  What do you think it takes to make your mark in the music industry? And were you ever part of a band, or ever consider forming a band? 

Kane: I agree. It always seems to feel like you need some kind of story or way to market your music. With so much coming out on Spotify or Apple Music daily, you have to find a way to cut through. I have a Celtic band, Hunt the Hare, that is more of a hobby and something completely different from my solo music. I love playing with groups of people and am always looking for interesting people to play music with.

Me: So cool! I’m taking a listen to Hunt the Hare as I write. I read that you signed on with LV Music – a Nashville (Tennessee) label and did some collaborative work with other artists. Can you tell us more about this? 

Kane: All of my music out on Spotify and streaming services has been produced by Femke and released through her label, LV Music. It’s an incredible label to be part of and Femke is an amazing producer. The label feels like a small family and the support between artists and Femke is great. I’ve done a ton of writing collaborations with other artists and writers since starting to work with Femke and LV as well. Pavel Khvaleev just released a song that we did together a couple years ago, with him being a DJ and producer and me a singer-songwriter. It was a totally cool thing that was a very new experience for me.

Me: Nice. One of the things that I love about these interviews is learning tidbits about the music industry. I’m going to change up my typical interview question about your top 3 favourite musicians. Instead, who or which artists would you say most influenced your current musical style? 

Kane: Even narrowing it down to 3 favourite musicians would be real hard. I listen to a huge amount of different stuff, from classical to folk to Celtic and back to alternative rock. Currently I’m listening to some Sufjan Stevens B-Sides while we do this but I think my biggest influence would be Damien Rice.

Me: I took a listen to Damien Rice and I get where you’re coming from. I’ve received all sorts of feedback about the challenges associated with being a musician, but the need to have a thick skin is a recurring one. What advice do you have for anyone wanting to start a career as a musician? 

Kane: Thick skin is a good one. I love the music part of being a musician but you have to be aware that there is so much more in the marketing and business side of it, if you want to succeed. I find attitude is one of the biggest things as well. There are going to be nights when you play just to the bartender and you have to give that your all, just as if you are playing to a packed stadium. Every moment is important.

Me: So true about attitude and I love the visual of the performer and lone bartender. With an impressive 2 million streams across music platforms, what are your plans to keep up the momentum? 

Kane: Thank you! I’m always releasing music and I’ve got a few things in my mind and up my sleeve – so stay tuned!

Me: Kane, thanks again for this interview. If you ever play in Toronto, I’ll be there. Is there anything else that you wish to share? 

Everyone, don’t forget to give Kane a follow and support musicians by streaming/buying their music, buying merch and tickets for their shows. 

Kane: Thank you for having me!

—End— 

Here are a few videos for you to enjoy!

Interview with Canadian Band: One in the Chamber

Interviews, Music
Photo Credit: Keelan Nightingale

By Monica Ng

I’ve seen One in the Chamber’s name mentioned here and there on social media, but most recently through Sara Sunshine (IG: @sara_sunshine_meredith) and Canadian band Stuck on Planet Earth’s (IG: @stuckonplanetearth) posts/stories. I figured that I should take some time to listen to their music – afterall, Toronto has some wicked musicians.

Upcoming concerts:

October 30, 2021 – Halloween Rock N Eve (Fundraising concert in support of frontline workers at Hamilton Health Sciences Foundation)

November 16, 2021 – The Rose Brampton (with Stuck on Planet Earth)

Contact

IG: @oitcband

FB: @oitcband

www.oitcband.com

Music

Blow (single) – 2020

To the Gallows (single) – 2020

I’ve Got Something to Say (EP) – 2018 – Crooked Step, Bills to Pay, The Ballad of Captain Jack, Something to Say and Itchin’ Back

The Boston Session: Bootleg Demos – 2017

Photo credit: Keelan Nightingale

About

This self-described dirty rock ‘n roll Toronto-based band is made up of Mike Biase (lead vocals/rhythm guitar), Cecil Eugene (lead guitar/backing vocals), Christian Dotto (bass) and Gerrod Harris (drums). One in the Chamber (“OITC”) is on a roll with over 20,000 Spotify streams, more than 10,000 followers on social media, and their album “I’ve Got Something to Say” being named as “Canadian EP of the Year” following its release by Canadian Beats and their readers.

Interview

Me: I’m delighted to have this opportunity to get to know the four of you. You guys are LOUD and banging – I love it! I admit that I haven’t been listening much to heavier rock lately, but I think I’m ready for some head banging. What I like about rock ‘n roll is that you can just let go of everything and ride the music. The pandemic has affected so many industries, but now that things are opening up again here in Toronto – let’s hear it…How was Voodo Rockfest?

Gerrod: Thanks for having us! Voodoo Rockfest was unreal. It was amazing to be back on stage and to see so many of our friends in other bands for the first time in almost two years.

Christian: Nice to meet you, Monica! Thanks for having us!

Me: Pleasure’s mine! And thanks for taking the time out of your busy schedules for this interview. You guys are really great with social media. When I first followed you, I got a DM asking what made me follow you with links to your socials. I find that music is a whole new experience when you have an opportunity to interact with musicians through commenting and DMs.  That being said, I can imagine that managing your socials is a full-time job in itself.  With over 10K followers, how do you manage and where do you draw the line between band life and your personal lives?

Gerrod: We try to keep it as professional and in tone with the band as much as possible. We have so much going on that we never feel that we need to post about our personal lives. It’s nice having the separation.

Christian: It really is a pleasure to connect with these people. We’ve met some of the most amazing fans and some truly cool musicians this way.

Me: I posted on my social media that I fell in love with your softer song Just for Tonight. It may sound weird, but it IS possible to fall in love with a song. I’ve only experienced this feeling twice in my life – the first time was Lewis Capaldi’s song Someone You Loved. If I try to describe it, I would say that your song has this way of wrapping itself around me and carrying me in such an intangible emotional way.  It’s been on repeat for a while now. So, thank you for this beautiful song. What inspires your music and your latest singles Blow and To the Gallows?

Mike: I generally write lyrics first. I always keep a notebook or paper around and I have pages and pages of lyrics written about whatever comes to mind. Sometimes I would end up writing music to them. For lyrics my inspiration has generally come from what is going on in my life (songs like Just for Tonight or Bills to Pay). Since being in OITC though, I’ve found that I like hearing the music first, and writing lyrics that come from the song. That was the case with songs like Blow and To the Gallows. The music has its own emotion and the words come out of it. I still write a lot in my books, but I find I’m also writing guitar licks and lines more often now, such as Itchin’ Back, and then putting lyrics in once we’ve written the music.

Christian: Wow! Thank you for the compliment! Just for Tonight (Stay) is a song that we recorded in Boston with former Bang Tango guitarist, Scott LaFlamme. The bassline that I wrote was inspired by an idea that Scott had given me at the time and was far more interesting than what I was playing during rehearsals. Blow and To the Gallows were written in a more organic way than Just for Tonight (Stay) was. Mike immediately expressed how the riff was too heavy, so he started messing around with it on his guitar and eventually created the main riff that you hear in the song. The original riff was still salvaged though, as that is what Cecil plays in the first verse of the song!

Me: It’s nice to hear the story behind my favourite song. Congratulations – I read that you guys recently made it to the semi-finals in 97.7 HTZ FM’s annual Rocksearch competition. How did you get involved in the competition and what’s the story behind how you guys formed as a band?

Gerrod: It really meant a lot to us to be recognized by 97.7 in 2020’s Rocksearch. It is a Canadian institution that has promoted some of the coolest bands to come out of our country for the last two decades and it was amazing to have been a part of that.

Cecil: The band formed in 2015. At the time, the band I was playing with was in the midst of breaking up, so I decided to get a bunch of guys together to start a rock/hard rock band. I knew Mike from the pub I worked at, which was at York University. We had played a few gigs together before, so when I saw him waiting in line on pub night, I asked him if he wanted to start a band, and so we were the first two members of OITC. I hosted jazz nights at the pub and one night Gerrod subbed in as a drummer for a group that I booked regularly. The guitarist in the group worked at the pub as well and gave me Gerrod’s number, saying he was looking for a rock band, so I gave him a call. We met up at one of the university’s music rooms and the three of us jammed the early stages of Bills to Pay. One night, I was talking to my brother, telling him we were still searching for a bass player. He told me to message Chris because he was also looking for a band and played bass. After a few months, we decided to name the band One in the Chamber and played our first gig at The Valley Bar and Grill in Mississauga.

Me: I love those stories…how destiny brought you together! I’m sure you get asked this all the time – how did you choose your band’s name? I stumbled upon another rock band with the same name while checking out your music.  How can fans avoid confusion on this front?

Gerrod: I’m sorry to the hear that! To my understanding, we are the only active band with the name, but follow us on our socials and website to see everything from us firsthand.

Christian: It actually took us about a month to finally decide on a band name. We had close to ten ideas that we’d narrowed down to a top three, and finally agreed that One in the Chamber was the name for us.

Gerrod: One in the Chamber is about making your one shot count.

Me: Cheers to first shots! I enjoy hearing how musicians first get into music. When did you guys pick up your first instrument and what other instruments do you play?

Mike: My dad used to listen to Q107 every morning taking us to school, so I started listening to rock music at a young age. My mum played guitar as well so I was surrounded by music all the time. I played trumpet in band in elementary school and picked up guitar when I was 12.

Gerrod: I grew up with music playing in my house all the time, but I started playing the drums in the seventh grade. Since then, I’ve learnt a little guitar but drums have always been my passion.

Christian: I also grew up around music. My parents would always have rock and metal music playing in the house and on car rides. When I was about 13 years old, I got my first electric guitar and picked up the drums and bass guitar in high school.

Me: Wow, your houses were rocking! Sounds like music is in your blood. As you may know, I interview musicians (mostly Canadian because I’m a huge supporter of my fellow Canadians) out of pure passion. What I love is that I have a chance to ask my questions and learn about them and what drives them. If you had to describe yourself in 2- 3 words, what would they be?

Gerrod: Dirty, rock and roll.

Mike: Hairy, hard hitting.

Me: That’s so funny and most awesome! I would have never expected those descriptions. I’ve received feedback from previous interviews that it’s really hard to pick 3 favourite musicians, but to get a feel for where you’re coming from – who are yours?

Mike: Robert Plant, Jimmy Page, Eddie Van Halen.

Gerrod: If we’re talking drummers, I’d say John Bonham, Chad Smith and Danny Carrey.

Christian: That is a tough one. I’m going to narrow it down, like Gerrod, and stick to bass players – Cliff Burton, Geezer Butler and Geddy Lee.

Me: I like getting answers to this question because I get to discover more musicians. You guys are so personable and down-to-earth. I would imagine that those traits are assets in the music industry. Any advice for anyone starting their music careers?

Gerrod: Be kind, actively pay attention to the business side and never stop learning.

Christian: Also be genuine. People can see right through you if you’re being pretentious or trying too hard. If you’re doing what you love, just have fun with it!

Mike: Leave your heart and soul on stage every time you play.

Me: Love it guys. It’s been great chatting and I look forward to seeing you guys in concert.

Everyone – don’t forget to follow these rocking dudes on socials and check out their music. 

Guys, is there anything you wish to share before we wrap things up?

Christian: Thanks again for having us, Monica. See you around!

Gerrod: Thank you for your time! Hope to see you at a show soon!

—End—

Here are some videos to enjoy!

Interview with Spain’s Jacqueline Loor

Interviews, Music
Photo credit: Hector Socorro

By Monica Ng

Jacqueline’s Debut Album “Show Them” comes out Friday October 1, 2021!

Pre-save or buy her digital album by clicking here: https://ffm.to/jacquelineloor_showthem

Finding of a gem

I know – this is my third non-Canadian musician interview. What’s going on? Well, my heart was brimming with raw emotion listening to Jacqueline’s music – I just had to share it with you. Social media is a fascinating thing. A bit of backstory how I discovered her – a while back I clicked on The Moon & I’s sponsored Instagram link which led to an interview with Eric Nguyen of The Moon & I, who’s from my hometown Montreal. I’m always looking for new music and curious what others listen to, so I admit that I checked out a few musicians from Eric’s page. And lucky that I did!

Contact

Instagram: @jacquelineloormusic

Facebook: jloormusic

www.jacquelineloor.com

Music  

Alternative pop

Burn it Down – single (2021) – placed in CW’s television show Batwoman

Carry Through – single (2021)

I Broke My Heart – single (2021)

Find Your Way – single (2020) will be on a Christmas Film “Magic in Mount Holly” on November 1st on Pureflix

Just a Memory – single (2020)

If I Could Go Back – single (2020)

Just Let Me Breathe – single (2020)

Don’t You Pretend – Album (2020): Don’t You Pretend, It’s Not on Me, Coming Undone and Coming Undone (Semblance Remix)

Deshacer (Spanish version of Coming Undone) – single (2020)

About

Jacqueline is a singer, songwriter, guitar and piano player from Miami, Florida. According to Jacqueline, she moved to Spain because “That’s where my family is from. My grandfather is from Tenerife, Spain. He moved to Cuba as an adult where my mother was born. My mother had to escape Cuba when she was 4 years old when Fidel Castro took everything away from her family. She went to Tenerife a few years ago on vacation and felt she belonged there. As soon as she said she was moving, I knew I would follow her wherever she would go. The island is really special and it’s where I found the courage to pursue my true passion – songwriting. I didn’t even know I could sing until I happened to bump into a music school here in Tenerife, and decided to take some lessons. I was 36 at the time and even though I’ve always wanted to sing, I thought I couldn’t. As soon as I started to learn what my instrument could do, I worked crazy hard everyday to train my voice, and one door after another started opening up. It was as if the universe was saying, “Yes”! I find peace and inspiration for my music on this island.”

In her spare time, Jacqueline enjoys experimenting with music production. Her enthusiam translates into everything she does, “I am diving more into music production with the help of my incredible female mentor, Kris Bradley. I always thought I couldn’t produce music, but one of the tracks on my album I actually produced, “I Broke My Heart”. It’s just the beginning for my production career!”

Jacqueline Loor
Photo credit: Hector Socorro

Interview

Me: Jacqueline, I’m so happy you agreed to this interview. I’m grateful for this opportunity to chat with you. You’re incredibly multi-talented, open and enthusiastic. I mentioned that your spirit reminds me of Canadian musician AARYS. Your soulful and expressive voice has already made its way into my bones and gives me the chills – in a good way of course.

I’m hooked on If I Could Go Back and Find Your Way. I love the progression of the music in If I Could Go Back leading up to the powerful upbeat chorus – it’s like all of our inner struggles disappear and we are strong and resilient against the odds. Your voice in some of your songs is both haunting and uplifting at the same time. Find Your Way is one of those fun songs where you kick off your shoes, lift your arms up to the sky and dance – and the kind of song you play full blast while hanging out with girlfriends. 

Congratulations – Burn it Down was placed in CW’s television show Batwoman.  Well done – I love it…what a gorgeous dark cinematic song.  You’re on a roll – this is the third song you’ve released this year.  I Broke My Heart and Carry Through are your other two new releases. You are on fire! Since I wrote up this interview, you released even more songs and you’re about to launch your first album. Congratulations on that as well.

You mentioned that I Broke My Heart is your first self-produced song – how long did it take you to produce the song, and can you describe your learning experience along the way? 

Jacqueline: It took me about two months to produce. I took Kris Bradley’s course “Produce Like a Boss – Voice Memo to Demo” and after doing one track that may never see the light of day, I decided to produce a song I wrote, “I Broke My Heart”. My other female mentor, Shelly Mcerlaine who guided me while I was in The Songwriting Academy really pushed me to produce this track. These two female mentors have pushed me out of my own way and made me realize that I CAN produce music if I put my mind to it. 

Me: That’s so inspiring! I completely agree that often it’s thinking that we can’t do something that holds us back. Once we set our mind to something, who knows what can be accomplished? When did you learn to play the piano and guitar?

Jacqueline: I learned to play guitar at 18, and piano I just started teaching myself a year ago! I always wrote poetry since I was a little girl chasing after dumb boys! LOL! Reading and writing have been a huge part of my life and that came in handy when it came to songwriting.

Me: Impressive and great visual about a girl chasing boys…haha. I really admire musicians. I can’t play instruments or sing, so my musical career was over before it began. But I’ve always loved listening to music. What was your “defining” moment when you knew that you would become a musician?  

Jacqueline: I was playing one of my songs to my friend here in Tenerife and he said, “Why don’t you have any of these beautiful songs on Spotify?” That’s when I said, “Yeah, why don’t I?” As soon as I had that idea, I was a freight train on a mission and dedicated so much energy and time to music and honing my craft.

Me: I love it – a freight train on a mission. I have those moments too, when I know there’s something I want and I go for it. You sing so beautifully in English and Spanish. What inspires your music?  

Jacqueline: My identical twin has been my Muse. I adore her and so much of who I am is because of her. She has had a tough journey in life and I’ve always tried to help her along the way. Sometimes or often times she doesn’t like to listen to me so I decided to write songs about it! I also realized that I’ve been in similar tough relationships and had to find the strength to get out. I’m hoping my music helps other people find their strength.

Me: A sibling who doesn’t listen? Unheard of, lol. Your songs are very inspirational. If I Could Go Back gave me a lot of strength at the time I needed it. I love the lyrics “lessons I have learned/take them with me/where I go I know I’ll be ok…If I could go back/I would have walked out that door…”

Based on my previous music interviews, I know that musicians have been hit hard during this COVID-19 pandemic. But some of them brought up a few positive things that came out of it – they had a chance to develop their social media presence and more time to produce new music or experiment with music production/styles. What were you doing just before the first lockdown?

Jacqueline: I had just moved back to Miami for a year to help out with some family matters, and in that time I formed a band! I always dreamt of being in a band so when I was playing an open mic one night in South Miami, a guy, Gio, came up to me and said he wanted to be my drummer. I thought he was crazy but I said, “Yes!” Where there is a will there is a way Monica, and we had a band in no time. We were playing all over Miami, and having such a good time doing it! I played at some great local music venues there like Bar Nancy which I truly love, and Churchill’s which is where I used to go to when I was a kid to watch bands play. Las Rosas is also another spot I love, and it was the last show we played right when lockdown happened.

Me: What a great story of the impromtu formation of your band! You must know this question is coming…what is it like to have a twin sister and what’s the most mischievous “swap” that you ever did?

Jacqueline: Lol! Yeah, of course I knew this one was coming! We’ve done a ton of mischievous things growing up. My favorite is the first one. I was in kindergarten and of course I was the more daring one and came up with the idea to switch. My twin definitely did not want to do it but I talked her into it. We were crazy identical at the time, and the teacher had us in assigned seats with our names taped onto the desk, and we even sat on the other side of the room from each other. The teacher asked a question, and I raised my hand at which point she calls on me and calls me Caroline. I am blown away at that moment realizing this all has worked. Then the teacher asked another question and when my twin raises her hand, the teacher says, “Yes Jacqueline,” my twin started crying and says, “I’m not Jacqueline, I’m Caroline!” The teacher infuriated and staring at me screams, “What, that means you’re JACQUELINE?!” I respond calmly, “I don’t know what she’s talking about, I’m not Jacqueline, I’m Caroline.” LOL! 

Me: Too funny, but I feel bad for Caroline. Don’t hold back Jacqueline – tell us more about your song Show Them and new album.

Jacqueline:  Show Them is a song I wrote on my own. It was meant to empower people to be who they are. I feel one of the best things I have learned in life is to be who I truly am, instead of who I’m “supposed to be”. I hope this song empowers people to be true to themselves – a message I always try to give my two girls. I even had them sing on the chorus, which really meant the world to me because so much of what I do is for them. I want the album to leave people inspired. I hope it gives them strength to accept what’s going on, not pretend it’s something it’s not and realize they have the strength to get out of it…and at the end of it, realize that they’re amazing just the way they are.

Me: Girl power and self-empowerment are definitely conveyed in your music. Self-love is so important and I think that too many people have self-doubt and don’t love themselves enough. I really look forward to more music from you. The world needs to “feel” and release raw emotion rather than keep feelings bottled up. I have your album pre-saved already. Everyone – add Jacqueline’s music to your music collection and let her voice and lyrics propel you into believing in yourself and loving yourself first. And as usual, remember…following people on socials is FREE! Give Jacqueline a follow. Jacqueline, is there anything else that you wish to add?

Jacqueline: I just filmed the music video for “Show Them” in the forest here in Tenerife. I’m super excited about it because the song is a female empowerment track and I had both my daughters in it along with their closest girlfriends. It was definitely a day I think all of us will never forget 🙂

—End—

Here are some videos:

Interview with Canadian band: Phantom Atlantic

canadian music, Interviews
Photo Credit: Kelsi Gayda, 400 LUX Club

By Monica Ng

It’s my lucky day – I get to interview not 1, 2 or 3 – but FOUR handsome and very talented musicians forming one band called Phantom Atlantic. I’m constantly blown away by the high caliber of Canadian music and so proud of all my local Torontonian bands, including this one.

What a find! I must thank my favourite band, Stuck on Planet Earth, for recommending Phantom Atlantic in one of their IG stories.

Contact

IG: @phantomatlantic

FB: Phantom Atlantic

www.phantomatlantic.com

About 

This four-piece band is made up of Kyle Brunet (lead singer/guitar), Ryan Stam (guitar/keys/backing vocals), Jeff Burling (bass) and Ken Grisé (drums/backing vocals). Its members, from different areas of Ontario joined in Toronto with a common desire to create music. This self-defined “cinematic alt rock band” has been part of Toronto’s music scene since 2017 and is now rocking the world with their latest EP, Your View of a Former Me.

Phantom Atlantic
Photo Credit: Kelsi Gayda, 400 LUX Club

Their Music

Your View of a Former Me (EP) -2021:  No Way to Live, Start from Nothing, Chrysalis (Interlude), Man Like You and Heart out of Heaven.

Lessons (single) – 2018

Beneath your Moment (single) – 2018

Interview

Me: How’s it going guys? Thanks for taking time out of your busy schedules for this interview – especially since you guys have day jobs as well. Congratulations on the release of “Your View of a Former Me” EP!  Honestly, I love everything about you guys – your style, music and videos. I can’t get enough of your songs, Start from Nothing, Heart out of Heaven and Beneath your Moment. Kyle, damn…your vocals are…absolutely beautiful. You can sing to me any day. How are you guys feeling after the release of your album and how long did it take you to put it together?

PA: Thank you so much! It’s feeling really good to know that ‘Your View of a Former Me’ is out there in the wild, and even better seeing how well it’s being received by fans, old and new.  In hindsight it probably took us too long to make the thing, just over 9 months, but it was at a point where we all felt a strong desire to step up our songwriting. We actually finished production on it just before the pandemic and at the time we were beginning to plan what the release would look like.  Well, when the masters arrived, the lockdown hit the same week and instead of releasing it we decided to hit the pause button and regroup for a minute…so here we are! 

Me: I can appreciate that choosing a unique, yet descriptive band name would be difficult.  What’s the story behind Phantom Atlantic and can you briefly describe what “cinematic alt rock” is?

PA: Haha, difficult is an understatement.  I think we have an Evernote file somewhere with over 300 names on it, some of them pretty ridiculous.  Phantom Atlantic came about from one of our long winded philosophical conversations that we love having, but beyond that we kind of like to leave it as a blank slate for people.  As for the cinematic angle, we come from a film background so movies are big sources of inspiration for us in a bunch of different ways. In our songwriting specifically, we’re really drawn to blending more traditional alt rock elements with the ambient textures, atmospheres and soundscapes you’d find in a lot of modern film scores. Some people would correctly call that a post-rock influence, but since that term is often associated with instrumental bands and we’re not that, we like to go with “cinematic alt rock.”

Me: Interesting about your name – I like it…a blank slate for one’s imagination. But somehow, I feel compelled to take a stab at it… Atlantic makes sense because in Ontario we are closer to the Atlantic Ocean than the Pacific Ocean. Phantom – maybe it represents the shadow (dark side) hanging over each of us that comes and goes silently throughout our lives. But as much as we may hate our “phantom”, we need to learn to deal with it because it’s really just an extension of ourselves. On another note, I love the dramatic effects that you guys use in your videos – like the floating doors and fire in your video for “Beneath Your Moment”.

I read a write up about you guys on the 94.9 The Rock website. Is it true that there’s a hidden neuroscientist in the group? That caught my interest lol. Apparently, you guys come from diverse backgrounds but came together for the love of music. What is the story behind how you guys hooked up?

PA: You read correctly, our drummer Ken…well Dr. Ken now, recently completed his PhD and we’re super proud of him. The guy works crazy hard all while holding down a beat.  As for how we all met, it’s kind of a chain reaction. Kyle and Ryan are childhood buddies who have been writing together since high school, Kyle and Jeff met in college, and Jeff and Ken have actually played in 2 bands together previous to Phantom Atlantic.  A couple years after school, Kyle and Ryan were finally putting a band together that needed a bass player, so Jeff literally left his old band and dragged Ken along with him shortly after.

Me: Very impressive Dr. Ken! And nice to learn about how you guys connected.

I love the beautiful summary of the underlying theme of your album on your website: “It’s a sharp, precise, and volatile five-track collection that ends in step with its beginnings: understanding and accepting the futility of stasis, and the inevitability of perpetual change. These two truths are earned over the course of Your View of a Former Me, a project and a title that chart a crooked path towards repair and salvation that never quite ends.” 

I can really relate to your songs and your IG motto “Say what you feel, mean what you do.” As I get older, I tend to express exactly what I feel and say what’s on my mind. I admit that sometimes this gets me into trouble!  What is another valuable piece of advice about life or music that you can pass onto others?

Kyle: Try your hardest every day to give an earnest effort toward being 100% true to yourself and those around you. Even when you’re not exactly sure on everything about yourself. Pro tip: you never are.

Ryan: This may sound nihilistic, but all of the systems of belief that are forced upon us to tell us how to act, how to think, and how to structure our lives are constructs that have no inherent basis in the natural world. So fuck what everybody says; find your passion and chase it relentlessly. At least then, if things don’t go your way, you can take comfort in the fact that you were always true to yourself. If you try to change to satisfy someone else, and still don’t succeed, the failure will hit doubly hard.

Jeff:  I love it, the world can use more straight talking troublemakers such as yourself!  Some of my best friends are the kind of people who say exactly what’s on their mind, and whether it’s right or wrong it almost always leads to wonderful conversation and a greater sense of mutual understanding.   But to answer your question, I guess if I had to offer some form of life advice all I would say is that whether you’ve come to realize this yet or not, there is something deep within you, a place that your mind wanders to more often than not, with a sense of longing.  It is only with the recognition of this deep rooted sense of self that a path towards a life filled with meaning and purpose can emerge.  So live free.  Do you.

Ken: I can philosophically ramble on forever in this light. Instead, I’ll just suggest a philosophy anyone can check out and explore for themselves: Absurdism. My unqualified synopsis of absurdism is that you have complete agency to decide for yourself what is important in life, because there is no inherent meaning or purpose (though I find we have a pervasive tendency to grasp at, or be proselytized to adopt, a prescribed purpose). For some it’s a scary idea, for me it is wonderfully liberating and is a perspective I find works wonders for my mental health.

Me: You guys are deep! I love it. My dad’s life-changing stroke almost 8 years ago made me realize that life is too short. Everything you guys mention resonates with me.  I’ve been living life with no regrets and live like every day is my last. We do have control over our lives and like Ryan says, we should not change ourselves to satisfy others – we will only have regrets.

Back to music, I have no musical talent. Sadly, I can’t sing or play instruments, but I can definitely appreciate amazing music like yours. When and how did you get hit with the “music bug” and what inspires you musically?

Kyle: I don’t really feel like there was an actual decision to pursue music. I know I’ve always wanted to create. I just remember incessantly writing and using this 4-track cassette recorder to make my little demos. Many things interest me, but it was fairly obvious around the end of high school that all I’d accomplished was working on writing music. The verdict felt obvious after that revelation. Music it is!

Jeff: I grew up in a small northern Ontario town where the only exposure to new music came from my slightly older, very much cooler cousins from Sudbury.  They played in a metal band appropriately called Temper! and always had to show me what was inspiring them at the time.  For me, they were the original influencers and I owe everything, from my appreciation for music, to pursuing a life of creativity and expression to them.  These days, my tastes span genres but I am still very much a “metal-head” at heart on the lookout for musicians pushing the envelope in composition and production. 

Ken: I had one of those families where music was just a big part of life. We always had a piano, but I think when I was about 5 or so, my parents gave me a toy keyboard piano that I loved just fumbling around on. After that gateway, I ended up taking piano lessons from my aunt for a short while. My grandpa was really into big band music and I remember telling him after piano, sax was on my instrument to-learn list (that hasn’t happened… yet!). My parents actually played in a folk band when I was young and for a while, instead of hiring a babysitter, they would bring me and my younger brother along to hang out at their shows. However, it wasn’t until I was about 13 that I went beyond a dabbler and started on the path to really becoming a musician. Some friends and I – sitting around in our small town coming up with ideas to entertain ourselves – decided we should start a band by picking up instruments that none of us even owned yet. I called dibs on the drums and that was that.

Me: Thanks for sharing your musical journeys. I’m a bit nutty when it comes to finding ways to make the world a better place. The world needs more happy people. I always say that smiles, compliments and love are free to give, so give freely. During this pandemic so much has happened to the world and so many lives have changed. Fill in the blank: We can change the world if we ____________________.

Kyle: We can change the world if we enter some hellish symbiotic human singularity where differences of opinion can no longer be tolerated by the almighty veracious optimization machine. Or just don’t be a dick.

Ryan: We can change the world if we have the humility to accept what we don’t know and the desire to learn.

Jeff:  Ah man, that’s a tough one.  I’d say we can change the world if we just realized that the deadline we’ve all placed on our dreams isn’t actually real. 

Ken: We can change the world if we combine empathy and objectivity to design a society that enables everyone to achieve a healthy minimum quality of life. And realize that it only takes an idea to change things — we all have the power to generate ideas, so we all have the power to change things.

Me: Love it! Man, where were you guys when I needed help writing my university papers? I’ve got to ask my usual interview “get to know you” question. I know it’s hard, but I’m going to force you to narrow it down – who are your top 3 favourite musicians?

Kyle: Ruthless question! There’s a thousand. Here’s 3… Bob Marley, Kurt Cobain, Beethoven.

Ryan: I’m gonna go the band route here. Radiohead and Coldplay are the staples that will never leave my top three. The two Jonny’s (Greenwood from Radiohead and Buckland from Coldplay) are the biggest influences on my guitar style. The third slot constantly rotates but for the last few years, I’ve been really into another British alt rock band called Nothing but Thieves, so I’ll give it to them for now.

Jeff: Definitely Misha Mansoor (a.k.a. Bulb) of Periphery who basically ushered in an entire era of DIY producers/musicians/entrepreneurs.  There’s Tosin Abasi of Animals as Leaders whose debut album still blows my mind to this day.  And I guess I’ll throw in a childhood favourite, from the band 311, their super creative and always tasteful bass player P-Nut.  Beat that thing!  (for those in the know…)

Ken: I’m going to cop out of this one as hard as I can. But I will say, in retrospect I think I spent too much of my youth only really deeply appreciating a very limited scope of music, so these days, I spend much more time exploring the vastness of music via podcasts like Song Exploder and NPR’s All Songs Considered — who also produce the Tiny Desk Concert series — all wonderful sources of musical diversity and discovery.

Me: I’ll take a listen to your favs. I haven’t heard of most of them. LOL, sorry for limiting you, Kyle.

I posted on social media that you guys instantly became part of my top 3 fav bands. Then I posted again after I realized that I only had 2 fav bands (Moist and Stuck on Planet Earth) – turns out that a spot had been saved for you guys to take. It amazes me how much music exists out there. The music industry, like many others is very competitive. Do you guys have any tips for aspiring musicians?

Kyle: Massive persistence and focus. Go all in. Listen to everyone but don’t listen to anyone. 

Ryan: Passion beats perfection, any day. 

Jeff:  Advice salad here we go:

  1. Don’t let all the virtuosos on Youtube and Instagram discourage you from becoming the best you can be.
  2. Remember that great music can be found everywhere along the range of stupid simple to seemingly impossible. 
  3. The first draft is always shit.  Don’t let it discourage you because…
  4. Every hit song ever was once a first draft.

Ken: Be mindful of the reality of taking a passion and making it a profession. At the core, it is about passion and expression. Yet, the actualization requires understanding that music functions like many other industries (but can actually be even more mystifying). If you acknowledge that, it makes it easier to recognize and overcome certain barriers and help you progress towards your goals. e.g.  Who you know matters. Don’t know anyone? Network. Familiar advice for anyone in any industry.

Me: Great advice guys! Jeff, that’s a yummy salad 🙂 I had a blast putting together this interview. You guys are so awesome. I’ll see you in concert real soon.

Everyone, it costs nothing to give this amazing band a follow on their social media accounts. And don’t forget to support Canadian and local musicians. Buy or stream their music on whatever platform(s) you are on and buy tickets to live concerts when the world is back up and running. Guys, is there anything else you would like to share before we wrap things up?

PA: Honestly this has been fantastic, we covered a lot of ground here! Thanks so much for your support Monica, and we can’t wait to get back out there and do what we do best.  Cheers!

—End—

Check out their videos:

No Way to Live

Start from Nothing

Interview with Canadian musician Ben Vezina

Interviews
Photo credit: Rick Arbuckle

By Monica Ng

If you ever wonder why I spend my free time interviewing Canadian musicians and others, the answer is simple: I LOVE music, writing and sharing. I’m also very inspired by these people and enjoy learning about what drives them on their paths.  If you have a chance, check out my interviews with Canadian musicians, Eric Nguyen of The Moon & I, Al Capo of Stuck on Planet Earth, AARYS, Neon Dreams, Craig Stickland, King Khan and Jeff Fero of jFEROcious; and writers, C. Fong Hsiung, Kelly Ann Charleson, Tony Wong and Sharon Rampersad.

A quick note about new music: Neon Dreams recently released their new album, “The Happiness of Tomorrow” and Craig Stickland has released a couple of new songs for an upcoming album. The Moon & I, Stuck on Planet Earth and AARYS are getting ready to release new music soon!

Follow your dreams

The world can be a gloomy place. But there are many people like Ben Vezina and those mentioned above who inspire others to be their best, persevere and follow their dreams.

Ben and I went to the same elementary and high school. Yup, stuck in the same jails for 8 years! Ben has always been a genuinely nice person. Back in high school, I knew that he drummed, but that was pretty much all I knew about him. Though you may have known the personality of your classmates, you didn’t always get a chance to know them well or find out what they did outside of school. 

Flashback to my (night) clubbing days. It just happened that the club where I was at had a live performance that evening. It was Ben drumming with his band.  I was shocked to see him there and for sure, had to communicate a hello in the partially dark and noisy place. Ben’s band was playing some wild catchy tribal music.  Being at the same place at the same time gave me a chance to re-connect with him.

Ben was low-profile with his talent, but another classmate was an underwear model – so news of that guy’s “talent” spread quickly lol.

Contact

Facebook: Ben Vezina

www.musicircleschool.com

About

Ben lives in Montreal with his family. He currently plays in a couple of bands – Hi-Fins and the Janis Joplin tribute band and teaches drums at Musicircle School of Music.

Photo credit: Frederic Serre

Interview

Me:  Ben, it’s always great catching up. It’s awesome to have a chance to interview you. I think it’s the coolest that you’ve followed your passion for drumming all these years.

Someone told me that parents with kids who are learning to play drums and violin have it the worst. And I can imagine why! When did you pick up your first drumsticks and how did your parents deal? And do you play other instruments?

Ben: I’m not sure I would call them drumsticks because they were homemade, as was the Styrofoam drum set. I made them for a lip-sync talent show in grade 5. I was playing the part of the drummer in a fake band doing a Bryan Adams song. I had almost no experience with musical instruments, aside from being forced to take piano lessons as a 7-year-old. I was SO happy to quit because we were moving, but mostly because I couldn’t pick up the reading part of it. My family is a dance family. More specifically a ballroom dance family. My sisters were nationally ranked, my parents were 2nd in the province and I had begrudgingly begun in that world as well. So this grade 5 talent show was my chance to get out – or so I thought. I went “full-on” with that, that I then decided I would be a drummer. It was the one instrument I could teach myself without having to read. I later found out I am dyslexic. But I would have to wait until high school for the chance to play drums. That’s actually where I picked up my first set of sticks. On the first day of music class, we were told to select the instrument that we wanted to play with two alternates. We were told if we chose drums we would have to play the xylophone first. So I picked the xylophone to ensure that I got the chance at drums second. Miss Walsh figured out my scheme. As a result, she decided to take a chance on someone with zero experience or previous drum lessons and put me on drums right away. I never looked back or touched a xylophone!!! My Dad liked that I had found drums but had no interest in hearing them in the house. He was very against me getting or even bringing a drum set into the house. But my mom was cool with it and actually borrowed a drum set from a co-worker for me over the summer, which became my first drum set after 1.5 years of only playing the school kit. As far as other instruments that I “pretend” to be able to play, I would say the bass guitar is the one that I’m the most proficient on. But proficiency is a bit of a stretch… I don’t have a melodic brain, it’s 100% rhythmic. Although being in bands for 30 years and more specifically 16 years in the Freddie James Project, I’ve been able to develop the melodic side more.

Me: I don’t remember you playing on the styrofoam drums back in elementary school lol. I think that I phased out elementary school altogether. In high school I was forced to play the keyboard but spent most of my time in the “washroom” because I hated it. It’s great that you were able to by-pass the xylophones in music class. I’m impressed that you were able to pick up drums and guitar.

I like your nickname “BreakNeckBen”. What’s the story behind it?

Ben: After people would see me play, one of two things would almost always get brought up: 1. “you make me think of Animal from the Muppets” and/or 2. “doesn’t your neck get sore during the show?” My objective was to try and create the feeling I’d had as a competitive dancer. I always moved a fair bit when I would play, but this was me turning drums into dancing, and I thought “BreakNeckBen” explained everything, plus I didn’t really want “animal” to be my only moniker even though I am a bit of a crazy man!

Me: That’s awesome! I love that you’re inspiring people through your music and teaching drums. How did you decide to become a teacher?

Ben: It’s funny because I never actually made that decision, it was made for me by my music teacher Brenda Walsh. She took a chance on me with the drums. I was instructed by her during my music class, to give some “inner-circle” students drum lessons to keep them occupied so they wouldn’t continue vandalizing the theater during their spares. I didn’t like doing it but it came naturally to me. So I graduated high school with some extra credits for teaching. That in turn led to me running a lunch hour program at Cedar Park Elementary School where Miss Walsh was transferred to. She needed me to occupy a bunch of hyperactive kids with drum lessons during their lunch hour. How I would have loved to have gone to that school!!! I even ended up teaching some of those kids all the way through their high school years. So it just became something I was always asked to do. In the end, teaching chose me and I’m a more enriched person for it.

Me: Wow, teaching drums in high school must have been a great experience for you. Also, I haven’t thought about the “inner-circle” until you brought it up. Wonder what became of those kids. Are there projects that you are currently working on and any other passions that you are pursuing?

Ben: I spent a decade and a half focusing on being “BreakNeckBen” and I’m finally back to working on myself. My main group is The Hi-Fins and I’m currently playing in several other groups and do some subbing for other drummers from time to time. I had been trying to work on a new project with an old student and some other friends, but as of March 2019, everything is on hold…which brings me to my many interests!!! I’ll try and make this concise. I was an auto mechanic for a while and then I studied engineering before music got the better of me. In the last two years, I’ve taken a deep dive back into my world of mechanics. I have two project cars I’m currently fixing. One is a long-term full restoration and the other was a quick restoration that took place during the lockdown this summer. I also spent the better part of twenty years deep into the world of triathlon. I was even trying to get to the pro level but due to injuries, ambulances and cancer, I’ve been forced to focus my efforts mostly on running and getting my body working properly. Post bone marrow transplant, I’m also a bit of a bike hoarder, which allows me to fix my kids’ and their friends’ bikes and anyone else that swings by my place and needs a hand. If it’s not obvious, I LOVE fixing things!!!

Me: That’s quite a portfolio. I’ll be sure to bring my bike over if I need it fixed.

I love the cover you did for Brittany Spear’s Toxic (on YouTube). Though I love the sound of drums, I don’t know much about them. I also love the sound of the guitar and bought myself one recently.  I figured that I would learn how to play on my own.  The guitar I bought was not a huge cost investment, so it was easy to commit. What are some tips that you can offer about learning drums, including whether or not one should invest in a drum set? And what are your thoughts on electric drum set pads or similar products?

Ben: Hmm…I gave a good solid effort in trying to love electronic drums in the early 2000s but I ultimately found them to be problematic and unreliable on stage. That has since changed for the better. Unfortunately, their latency issues and bad tactile feel make them bad-habit forming for learning. The best bet, in my opinion, would be studio and rehearsing work. Practice pads are very useful for working on some technical things (i.e. rudiments/wrist and finger techniques etc.). But in the end, one needs a platform to learn how to correctly use the drumming technique in the language of music. So if possible, I always recommend an acoustic set of drums. Even a really cheap crappy set will properly reinforce correct habits.   

Me: I watched your YouTube video where you were bringing a worn-out drum skin back to life.  Very interesting! I had no idea that the skin could be restored to new. Your video is a must-watch for those thinking of replacing the skin altogether. Any other tips for the general maintenance of a drum set?

Ben: Drums usually don’t wear out. Only the skins, more specifically the snare drum skin. They usually get replaced 99% of the time. But even then, it can be brought back pretty easily if it’s not broken. Maybe if there is water damage to the shells, the wood might warp but usually, drums can last decades without failure. As long as one plays within the tolerances of the metal components, even the cheap ones today are pretty strong. But the three things that I deal with on a somewhat regular basis, due to my forceful playing are bent rims (incorrect tuning), broken cymbals (nicks on the edge) and broken bass drum pedals. You can’t really do anything for the rims or cymbals once they’re bent or cracked. I used to go through a couple of crashes a year. But a good cymbal case would help tremendously with saving one’s cymbals. As far as the kick pedal goes, I have a particularly strong bass drum foot so I think broken pedals are a “me” thing. I’ve had to customize my pedals in the past. But it shouldn’t happen, it’s an instrument that is designed to be hit.

Me: Some time ago, we were chatting on Facebook. I hope you don’t mind me bringing this up, but I find your story so inspirational. You mentioned your battle with cancer. I watched a YouTube news clip video about a fundraising run for cancer.  The kids that you coached in soccer for many years participated in the event and talked about how you were always there for them and not only trained them but trained with them.  That video brought tears to my eyes.  What kept you strong and fighting? And from what you went through, what kind of perspective/insight did you gain about life?

Ben: Wow, these are big questions to answer. Let me start by saying that I think most people are built with a very strong survival instinct. I definitely am. Luckily I was also born with a clear and very calm mind under extreme duress too. This was strengthened through years of beating up my body and callusing my mind by playing drums for my “day job” (i.e. late-night job for The Freddie James Project), often playing 3-5 sets a night six nights a week for months at a time and still training hard for triathlons and running races. All the while trying to be the best parent/husband possible. I also saw what cancer had done to my dad a year and a half earlier and was three months into my chemo when my sister also passed away from cancer. Thankfully I was in fantastic shape and mentally ready for the insanity – being cancer. I went into it like an endurance race or a never-ending set on stage. I even had my kids smuggle my racing bike and trainer into my hospital room during my first five-week stay so I could maintain a “good fighting” feeling about my situation while being attached to my chemo machines. That was definitely the easier of the two hospital stays. The second one was the bone marrow transplant. More of a “second half” of the race type of deal, where you either quit or don’t give yourself the option to quit. For the transplant to take, all the healing parts of the blood (white/red cells & hemoglobin) need to be dropped to almost zero. Being isolated in a room for six weeks not being able to eat, talk or leave the room gave me a glimpse into what it might be like to be very old and weak. So the first of many perspective shifts on life was getting a second chance at midlife. After not being able to do anything except listen to music all day in a room by yourself, you become thankful for ALL of the little things. Moving forward with love and purpose becomes the endgame. 

Me: I’m so sorry for your losses and happy that cancer did not beat you. It must have been really tough for you to be isolated from everyone for so long. On the topic of isolation, no doubt that COVID has hit a lot of people in a bad way. How has it affected your day-to-day life and your music?

Ben: Post cancer I had a couple of lifelines in the music community. These allowed me to let people know that I was still around and planned to continue being active. So I dug my heels in and started saying yes to everything. Focus and hard work have always been my “modus operandi“. The lockdown flipped everything upside down, to say the least. But the longer we’re in this lockdown, the more I feel things are now right-side-up for me. When you’re a gigging musician you must always keep your foot on the gas. Covid has allowed me to look inward – something I haven’t done since high school. My day-to-day life is now focused on neglected hobbies and personal goals. Rebirth of my love and passion for drumming has come out of this. I think I’ll be a better and happier teacher and when we do get out of this. I think my own inner musician/drummer will have evolved to something better than it was.

Me: What are you plans in the near future – life, music and career?

Ben: Hmmm, as a family we lean on each other more now and we’ve become very tight. I’m an optimist, so hopefully more of the same on that front. And because I’m not someone that gets derailed easily, I will definitely continue teaching, as that’s the mainstay. I look forward to getting back on stage soon, and back into “fighting shape”. Being on stage is still the one puzzle piece that’s missing….

Me: I appreciate your insight about life and sharing your passions. I look forward to seeing you perform live again. Is there anything else that you wish to share?

Ben: Love.

Thanks Monica 🙂

Me: Thanks again for taking the time for this interview.  Stay safe my friend!

—End—

Here are a couple of Hi-Fins performances:

Interview with Canadian musician Eric Nguyen of The Moon & I

canadian music
Eric Nguyen
Photo credit: Alex Tran Photography

By Monica Ng

Canadian talent galore!

Canadian musical talent is NOT hard to find.  I recently came across Instagram’s sponsored “The Moon & I” advertising and decided to take a listen.  I was instantly hooked on Eric’s song “Shuffle” and my interest was further piqued when I read that he’s a singer and songwriter based in Montreal. I just had to reach out to him and find out what’s happening musically in my hometown. 

Contact  

IG: @moonimusic 

Facebook: The Moon & I

www.moonimusic.com 

About 

Eric Nguyen is the talent behind “The Moon & I”.  Born and based in Montreal, Eric was trained in classical piano, plays guitar, and produces his own music. According to his web profile info, he experiments with “analog synths, drum loops, and acoustic piano.” 

His Music

Shuffle – EP (2009) includes “Shuffle, Hopscotch Birdie, Rainy Morning Blues, Birthday Waltz, November and Distant Dreams” 

Day In, Day Out – single (2020) 

Moon I – single (2020) 

Photo credit: Alex Tran Photography

Interview 

Me:  Eric, it’s been great chatting with you on Instagram. I feel that we connected instantly – maybe it’s the Montreal blood or simply that you’re very personable. Thanks for being so open to and enthusiastic about this interview.  

You mentioned that you’re just starting out your music career.  According to your website you “isolated [yourself] in [your] apartment for 3 years while working remotely and producing music.”  How interesting…that’s like voluntary pre-COVID isolation!   

So, you were sitting in your apartment on a cold fall evening with a guitar on your lap, looking out of a small window.  The sky was perfectly clear that night and the full moon was demanding your attention. You sat there pensively, fingers gently touching your guitar strings, staring at the moon while pondering the meaning of life – and that’s how you decided that “The Moon & I “ was the perfect name.  Ok, that’s my story!  Now your turn.  What’s the real story behind your name? And how did you make the decision to commit yourself to isolation for producing your music?  

Eric:  When people hear the name, they often ask me if I’m into astrology. Or if it’s related to Barbara Streisand’s song with the same name. Long story short, I had posted my song “Moon I” on Bandcamp a few years ago to test the platform. Unintentionally, the song went viral when a popular music blog picked it up and was then shared by other bloggers from Hype Machine. It was the first time I ever received recognition for my music outside of friends and family. So the name is a nod to that song and how it helped give me the confidence to push out more music. Lastly, I just think it has a nice ring to it and is evocative of the mood I’m trying to create in my music.

Isolating yourself to focus on art is sometimes necessary to get things done, in my opinion. It’s so easy nowadays to get distracted. I was living in Vancouver, amidst majestic mountains, forests, and water views. But I had all this music in my head that was bouncing around and wouldn’t leave me alone. So I decided to move back to Montreal to get closer to its music scene, and finally record all of these songs. I think if you’re a painter, you paint. If you’re a musician, you make music. Sometimes, you don’t have a choice in the matter.  

Me: I totally agree that you’ve got to go with the flow until you find what you’re meant to do. Growing up, I was forced to learn how to play the piano. When my mom found out that I sucked and wasted all of her money, she made me try the accordion. Of course, that has keys like a piano lol. I only taught myself to play one song on the piano – which is Dust in the Wind, because I love it. Playing piano and the accordion was not my calling, but I’ve always loved the sound of guitar. I decided to buy myself a guitar to self-learn. With no clue what to do with it, I just stared at it for a long time. Sadly, playing music is not something that comes naturally to me. Other than piano and guitar, do you play any other instruments? And when you first learned piano, do you feel that it was forced, or did you have a natural talent?

Eric: Oh nooo! I hope you’ll get back into guitar. It’s an easier instrument to pick-up than the piano. I recommend getting a good intro book and just going through it. You’ll be able to play Wonderwall in no time.

I was forced to play piano when I was a kid too. But when you’re young you don’t really think about the why’s of what you’re doing…you kind of just do it. I think, in that sense, it frees us from a lot of the baggage and expectations. 

Luckily, I did have a knack for piano. When I was 8, I placed first nationally in the Canadian Music Competition for my age group. After that, my parents took things more seriously – for better and for worse. I had to practice daily to prepare for competitions. I got really good, but overall, things also got less enjoyable. But no pain, no gain! I’m grateful to have acquired the skills I have now and am able to do my own thing.

Aside from piano and guitar, I’m just getting more into synths, programming beats, and music production. I wouldn’t say I’m a drummer, but I can play decently enough to record a loop that I can then edit and fine-tune in my production. I’m also just learning to explore my own voice as an instrument. What’s cool is that everyone’s voice is unique. We’re all walking around carrying a musical instrument shaped by the unique physical properties of our throat, head, and chest. 

Me: About my guitar playing – I haven’t mastered Hot Cross Buns yet, but I have written a song for myself. And I do love Oasis’ Wonderwall! That’s amazing that you got into music competitions at an early age and learned to hone your skills. I was just thinking about voices as an instrument too – without it, there’s just melody.

Your music is described as Indie rock, but it’s not the first thing that comes to my mind. Actually, I’m not sure how to categorize your music, but I absolutely love how you rock the piano! Especially in your song “Shuffle” – you add drums and a guitar riff. Pretty wild!  I’m not really a fan of classical music so I really appreciate your modern twist of the piano.  Where does your “vision” for your music come from?  

Eric: Thank you! It’s something I tried to do deliberately: playing the piano in an unexpected way. In my head, I’m using the piano to mimic other instruments and imageries: whether it be the crashing of drum cymbals like in “Shuffle”, or a swirl of falling raindrops like in “Day In, Day Out”. 

Like most artists, I think the majority of my music is a form of self-therapy. There’s usually an emotional core. It might come from my own life experiences, a friend’s life experiences or a story that I heard. That emotional core then gets amplified and expressed as a melody. I’ll then try to find the right words to convey it, and wrap it in sounds and textures that belong to that world.

Me:  I love how you put the last part – your sounds and textures really come through in your songs.

I’m sure there are a lot of other budding musicians out there who are trying to learn as much as they can from others in the industry. With social media, digital music and so many music platforms (ex. Spotify, iTunes, etc.), there must be so much to figure out. Can you describe some of the major hurdles that you’ve encountered along the way or that you are currently experiencing? 

Eric: I think the first major hurdle is just: how do I find people that will enjoy my music? There are a lot of artists out there that put out amazing work, but they’re not actively promoting it or don’t know how to. With live shows on hold, Facebook & Instagram Ads are one of the main ways I’ve been able to find my audience (much like how you found me!).

The current hurdle I’m working on now is time management with respect to music production and promotion. On one hand, you have to be active on social media so people don’t forget about you in our fast-moving world. I used to not use social media. I had a chrome extension that would block my FB Newsfeed, and I wouldn’t have apps like Instagram and TikTok on my phone. But now I have to use them to respond to comments, messages, and connect with fans. Then on the other hand, I need long bouts of uninterrupted time to get in the flow and produce new music. So it’s a balancing act I’m still getting used to.

Me: I figured that what you described is the reality…the demands from all directions. While we were chatting, you mentioned that you were a Moist and David Usher fan as well.  That was music to my ears as I don’t personally know too many Moist and David Usher fans.  When you said that you became a fan of theirs because your older brother played his Moist cassette tapes while you were growing up, I got a really nice visual in my mind.  It’s really nice because I can picture two brothers just hanging out together listening to music. Your story transports me back to my bedroom that I shared with one of my sisters, back in the days. I used to just sit on my bed and play my cassettes while singing along with the lyrics written on the cover insert. I guess the point of this nostalgia is that I’ve loved music since I was a kid and music has been with me my whole life. Having artists like you creating beautiful music for me to enjoy means a lot to me. 

Other than Moist and David Usher, name a few musicians who have influenced your life? 

Eric: You just described my childhood as well! What a nostalgia trip. I think some of my influences would include Radiohead (I love everything about them), The White Stripes (for their powerful minimalist sound), James Blake (for his vocals and production), and Billie Eilish/Finneas (for their bedroom production and songwriting). 

Me: My younger sister was a huge Radiohead fan, but not me so much. I have only recently discovered Finneas’ music and like it. I’m so happy that your music is out there for the world to enjoy. For myself, growing up in Montreal was hard because I was a visible minority and often made fun of.  I always thought that Asians were underrepresented in the music industry in general (Asia aside) and wished that more Asians would become mainstream. I love that you’re representing the Asian community through your music.  I feel so much pride. Do you find it hard to “put yourself out there”? 

Eric: I do! I used to not show my face and would prefer people just listen to the music. It was a deliberate decision to put myself out there to help with Asian representation. I was thinking of my kid nephew and how there aren’t many male Asian artists in the indie music scene or mainstream media. I wanted for him to see himself represented in if he wanted to pursue arts. If I can help move the needle ever so slightly in the right direction by doing something simple like putting my face on things, then I should do it. 

Me: What an inspiring uncle you are! I feel that with your presence, the needle has been shifted already. Other than music, what other things are you into? 

Eric: Not much these days, haha. With COVID lockdowns, I pretty much have no life. I’ve been reading more about mindfulness and meditation. And I also just started reading Harry Potter for the first time. I’m looking forward to watching the movies for the first time too.

When I have more free time, I’ll probably get back into drawing and painting more. I used to study Architecture where we’d sketch almost every day. So I’ll probably explore the visual artistic side of my brain more in the near future.

Me: COVID-related lockdowns have been good for some things. I agree with “brain-flexing”, I’ve recently picked up my sketch pencils again in hopes of letting the creativity flow. There’s also something therapeutic about “pencil on paper”. I’m actually thinking of doing some graphic illustrations inspired by my outdoor adventures. Lockdown has me digging through my old photos and I’m totally itching to drive off (with my music blasting) to a faraway place for a hike. I now have new songs to add to my “long drive” playlist 🙂

I would love to see you perform live. Have you considered an online concert? And after COVID is done, do you have any plans to perform live on stage? 

Eric: Yes! It’s something I’m still figuring out how to do because I mainly play all the parts on the recordings. So I’ll probably have to adapt them for a solo performance in a way to make it interesting and less like a glorified karaoke session. 

Me: Karoake lol. I’m sure you’re great at that! I’ve never picked up a mike for the purpose of singing into it. I read that you’re working toward an album. What are your plans for 2021?  

Eric: Yes! I’m hoping to complete the album this year and will be releasing singles leading up to its release. I’m also trying to connect with more like minded-artists and find my “tribe” of sorts. 

Me: Thank you so much for your song “Shuffle”. It has hit a soft spot and been on repeat since I first heard it. I enjoyed this interview and getting to know you. Everyone – check out Eric’s beautiful piano playing and amazing music!  

Before wrapping up this interview, do you have anything else that you wish to share? 

Eric: Thank you so much for everything, Monica! These thoughtful questions really allowed me to pause and reflect on my artistic journey so far. I really appreciate it! 

I think I’ll close with a shoutout to my friend Maryse Daniel, the artist that worked on all the artwork for my latest singles, and a quote I have displayed in my music studio: “One day, you will wake up and there won’t be any more time to do things you’ve always wanted. Do it now.”

—End—

Here are a few of my favourite songs